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barbellion:

Kenneth Anger by Sebastian Kim for Interview Magazine

(x)

(vía amotherfuckingwerewolf)

23silence:

William Henry Margetson - A water sprite or siren. British, 1861-1940

23silence:

William Henry Margetson - A water sprite or siren. British, 1861-1940

(vía ohlaplanta)

Man is the only animal for whom his own existence is a problem which he has to solve.
….
Love is the only sane and satisfactory answer to the problem of human existence.
….
To love somebody is not just a strong feeling—it is a decision, it is a judgment, it is a promise. If love were only a feeling, there would be no basis for the promise to love each other….. A feeling comes and it may go.
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Love means to commit oneself without guarantee, to give oneself completely in the hope that our love will produce love in the loved person. Love is an act of faith, and whoever is of little faith is also of little love.
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Love isn’t something natural. Rather it requires discipline, concentration, patience, faith, and the overcoming of narcissism. It isn’t a feeling, it is a practice.
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Paradoxically, the ability to be alone is the condition for the ability to love.
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Love is not primarily a relationship to a specific person; it is an attitude, an ordination of character which determines the relatedness of the person to the whole world as a whole, not toward one object of love
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If a person loves only one other person and is indifferent to all others, his love is not love but a symbiotic attachment, or an enlarged egotism.
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Nationalism is our form of incest, is our idolatry, is our
insanity. ‘Patriotism’ is its cult… Just as love for one
individual which excludes the love for others is not love,
love for one’s country which is not part of one’s love
for humanity is not love, but idolatrous worship.
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One cannot be deeply responsive to the world without being saddened very often.
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Modern man has transformed himself into a commodity; he experiences his life energy as an investment with which he should make the highest profit, considering his position and the situation on the personality market. He is alienated from himself, from his fellow men and from nature. His main aim is profitable exchange of his skills, knowledge, and of himself, his “personality package” with others who are equally intent on a fair and profitable exchange. Life has no goal except the one to move, no principle except the one of fair exchange, no satisfaction except the one to consume
….
A person who has not been completely alienated, who has remained sensitive and able to feel, who has not lost the sense of dignity, who is not yet “for sale”, who can still suffer over the suffering of others, who has not acquired fully the having mode of existence - briefly, a person who has remained a person and not become a thing - cannot help feeling lonely, powerless, isolated in present-day society. He cannot help doubting himself and his own convictions, if not his sanity. He cannot help suffering, even though he can experience moments of joy and clarity that are absent in the life of his “normal” contemporaries. Not rarely will he suffer from neurosis that results from the situation of a sane man living in an insane society, rather than that of the more conventional neurosis of a sick man trying to adapt himself to a sick society. In the process of going further in his analysis, i.e. of growing to greater independence and productivity,his neurotic symptoms will cure themselves.
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Man’s main task is to give birth to himself.
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The quest for certainty blocks the search for meaning. Uncertainty is the very condition to impel man to unfold his powers

Quotes from Erich Fromm’s The Art of Loving

qasaweh  donavonsmallwood  tothebatfax lehaaz  avecsabombe nuanced-subversion  

(via dialecticsof)

(vía astranemus)

Green delicia

Green delicia

El caribe

El caribe

(vía deermagic)

I’m meeting boys who like Charles Bukowski and they all want to do brutal things to my body. They tell me they buy a bottle of whiskey whenever they get one of his books and don’t stop reading till they’ve gone through a pack of cigarettes. They blow smoke in my face and say, “He was the outcast king of L.A. Did you know that, huh?” “Yeah, yeah, I know.” I say,“He’s great.”

A new boy gives me a worn copy of On the Road and thinks he’s being original. “We should explore the road together. Would you like that, baby?” I take a sip of my water and look away. Yes, I’d like that, I think. But he’s drunk and imagining himself sixty years earlier, in the back of a bar, sweating to the sound of live bop. Still, I prefer him to the hungry boy that devoured my shirt and said, “You have a tattoo? What’s it say?” ‘mad to live?’ What, are you angry about living? Aw, I’m just kidding, come here, let me take off that bra.”

The next boy I kiss doesn’t read. I ask him to come to a bookstore with me and he stays outside, sighing. He has no interest in words. He has no interest in me. I am thankful for him. For a few weeks, I am able to shed my habit of thinking obsessively and become a duller, rougher version of myself. I dump him when my fingers start turning imaginary pages in my sleep.

I go on a date with a boy who knows I like to write. He calls himself a fan of mine and swears he’s read every word I’ve put down. “You’ve got this voice that’s very modern, but also so classic.” I choke on my water as he says, “I read you to fall asleep.” At night, I listen to him pant metaphors and compare my mouth to the sea. One day, he stumbles across my journal and finds nothing about himself in it. “You don’t really love me, do you?” I shake my head. There is no use pretending anymore. He has read my poems about the boys I want to drown in me. His goodbye leaves my hands covers in ink. He wanted me so badly to be the sea, when all I am is a girl who writes poetry.

I try my best to become poetry. I take a bath and stain the water with black ink. I cut my hair in a motel sink. I cry for people I have never met. I start smoking cigarettes. I use words like “presumptuously” and talk about “post-modernist new wave.” I walk the streets at 4 a.m. and smile at people coming home from a rave. I wear sunglasses indoors. I carry a 500 page volume of poems wherever I go. I drink coffee instead of water. I talk about the “advantages of using film and listening to records.” But no matter how hard I try, I am not the sea. I am a sunken ship that has drowned in everyone who touched me.

I Am Not The Sea | Lora Mathis (via lora-mathis)

(vía mindmapper)

brfvla:

hoy

toska [tohs-kah]
(noun) An untranslatable, Russian word – Vladimir Nabokov describes it best: “No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. In particular cases it may be the desire for somebody or something specific, nostalgia, love-sickness. At the lowest level it grades into ennui, boredom.”  (via les-espaces-et-les-sentiments)

(vía dirtyoldsixofclubs)

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